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The Purple Rose of Cairo (1985)

Release Date : 1 March 1985
Rating : PG
Duration : 1 hr. 22 min.
Official Site : Movie Official Site

Overwiew :The film that Woody Allen has said is his favorite of all that he's made, THE PURPLE ROSE OF CAIRO unites the competing tendencies in his work towards realism (be it comic, as in ANNIE HALL, or dramatic, as in INTERIORS) and comedic fantasy (such as SLEEPER or BANANAS). Cecilia (Mia Farrow) lives in New Jersey during the Great Depression, which appropriately describes her mood: she works a dead-end job as a waitress that supports her and her abusive, deadbeat husband Monk (Danny Aiello). Her only release is at the cinema, where she repeatedly goes to see a trite romantic adventure called 'The Purple Rose of Cairo.' But when Tom Baxter (Jeff Daniels), the lead character of the film, steps off the screen and falls in love with her, Cecilia has to deal with the disjoint between her own life and the glamorous world on the screen. Although the film begins realistically--there is close attention paid to period setting and costuming--the conceit of a film character emerging from the screen is one Allen would rarely use except in his outright comedies. However, THE PURPLE ROSE OF CAIRO blends dramatic and fish-out-of-water comedic situations to explore the disparity between the real world and fantasy. What is really at issue in the film is the positive psychological effects of the fantasies of the traditional film world. The film is the product of a true film lover, and stands as Allen's defense of the entertainments often derided by critics and other filmmakers of his stature. He received an Academy Award nomination for the screenplay.

Starring : Mia Farrow, Jeff Daniels, Dianne Wiest, Danny Aiello, Michael Tucker

Directors : Woody Allen

Producers : Robert Greenhut, Charles H. Joffe


  Critic Reviews  Grade
www.filmcritic.com - : If Radio Days is Woody Allen's love letter to radio, The Purple Rose of Cairo is his ode to old movies. Purple Rose, however, is about ten times as ridiculous, its conceit being that Jeff Daniels' Depression-era movie star walks right out of the movie screen to be with the girl in the audience (Mia Farrow) whom he loves. This of course causes havoc for the characters on the screen (who provide the most hilarity in the film) and the real people here on earth, who simply aren't prepared for a fictional character to become one of them.  more...  
www.boxoffice.com - : MGM's third and final boxed set of Woody Allen films predates the previous set of late '80s and early '90s titles, covering the beginning of the ''Mia and Woody'' era from ''A Midsummer Night's Sex Comedy'' in 1982 to ''Radio Days'' in 1987. For many, this represents Woody's most experimental and creative period, a half-decade that spawned six utterly original and entirely different movies, at least two of which are bona-fide masterpieces and two more enduring classics.   more...  

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