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The Life and Death of Peter Sellers (2004)

Release Date : 21 May 2004
Rating : Not Rated
Distributor : HBO
Duration : 122 min

Overwiew :A co-production from the BBC and HBO, THE LIFE AND DEATH OF PETER SELLERS is a dramatization of the late comic actor's life. Geoffrey Rush (SHINE) stars as Sellers, delivering a performance that vacillates between the light and dark sides of Sellers' personality. Rush portrays Sellers' many cinematic triumphs - including a wonderful turn as bumbling detective Inspector Clouseau - as well as offering a glimpse into his harrowing personal life. Taking his radio work with THE GOON SHOW as a starting point, director Stephen Hopkins traces Sellers descent into the hands of his own personal demons. Illustrating how Sellers' relationship with his mother deeply affected him, Hopkins' film progresses to show how his personal failings began to get the better of him. Known for having an uncontrollable temper and succumbing to many bouts of selfish and explosively violent, temper-tantrums, Sellers hit some remarkable low points in his life. The film is a portrait of a highly schizophrenic performer who couldn't bring even a modicum of the happiness he gave to millions of people on the cinema screen into his personal life.

Starring : Geoffrey Rush, Charlize Theron, Emily Watson, John Lithgow, Miriam Margolyes

Directors : Stephen Hopkins


  Critic Reviews  Grade
www.boxoffice.com - : At its fanfare Riviera launch in 2003, ''The Life and Death of Peter Sellers,'' HBO Films' biopic of the comic genius, directed by Stephen Hopkins (''Under Suspicion''), seemed to have everything going for it. A stellar cast headed by Oscar winners Geoffrey Rush in the lead and Charlize Theron as his lover and second wife Britt Ekland; British talent Emily Watson seconded by Rush to play first wife Anne; and a brilliant supporting ensemble. Professionally, a scintillating subject whose films still have a cult following and wider resonance, delivered (compliments of Sellers' estate) with a massive home movie collection. Personally, the film aimed to expose the comic's less well known psychological underbelly--a tormented , erratic, at times cruel, lost soul who used his masks and impersonations to fill the void within. A promoter's dream--it came tinged with controversy generated by Sellers' brother, Michael, who objected to the negative spin in the biography on which the screenplay was allegedly based. Unsurprisingly, it was one of the Cannes competition's most awaited movies.  more...  

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