Seattle Post-Intelligencer - William Arnold : ...the film's evocation of its era is immaculate. more...
B+
San Francisco Chronicle - Mick LaSalle : The film, actually, is a little like Reeves himself: It starts promisingly and trails off into indistinctness and mystery. more...
C+
Rolling Stone - Peter Travers : ...a steadily engrossing movie... more...
B
ReelViews - James Berardinelli : This is a fine opportunity to peer through a window into the unglamorous side of Tinseltown's golden years. more...
B
New York Times - Manohla Dargis : ...exasperating... more...
C-
New York Post - Kyle Smith : Despite the lovingly detailed costumes and the corruption that hangs over everything like smog, Reeves is the only interesting character. more...
C
Hollywood Reporter - Michael Rechtshaffen : This noir take on George Reeves' death has its high points but doesn't quite fly. more...
C+
filmcritic.com - Sean O'Connell : It's not unheard of for a movie detective to be more interesting than the corpse he (or she) is investigating. This just isn't one of those times. more...
C-
Entertainment Weekly - Lisa Schwarzbaum : ...elegant biodrama... more...
B+
E! Online - Matt Stevens : The performances are top-notch... more...
B+
Chicago Tribune - Michael Phillips : ...a film of intricately layered flashbacks. more...
A-
Boston Globe - Wesley Morris : Half of the film is more persuasive than the other, and the connective threads are thin. more...
C
Atlanta Journal-Constitution - Bob Longino : Able to leap only a really short building in a single bound. more...
Critic Reviews
