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www.washingtonpost.com - : It illustrates again the tragic futility of the death of Tupac Shakur, who possessed a fragile but powerful screen charisma rare enough in any age, but particularly rare in an era of beefy supermen. It follows on his other posthumously released film, ''Gridlock'd,'' in showing his immense potential. The irony, I suppose, is that the young man's need to be an alpha male, a ''gangsta,'' got him killed, but his best screen identity and the persona to which his directors almost all responded and documented was of a softer, more troubled personality, a young man at the end of his tether. more...
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Critic Reviews
