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www.washingtonpost.com - : Paul Schrader's ''Light of Day'' is crippled by its confused intentions, a crazy quilt of the good, the bad and the ugly. Schrader remains one of the few filmmakers from the American New Wave of the early '70s who continue to work in his characteristic vein -- always serious, always idiosyncratic, always identifiably Schrader. But somewhere in the process he seems to have gotten lost. You sense him groping for, well, the light of day. more...
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