Wes Anderson - Biography

Last Editor: spicyminx30				Wes Anderson Biography -   Name : Wes Anderson Profession : writer, producer, and director Birth Details : born May 1, 1969, in Houston, Texas Birth name : Wesley Wales Anderson Height : 6' 1" (1.85 m) Personal quotes : Vertigo (1958) is great. The curl of Kim Novak's hair, the way Jimmy Stewart wears a narrow gray suit. And Grace Kelly was exactly right in Rear Windo Trade mark : Uses overhead camera angles to show tabletop visuals, such as books or documents, that effectively provide an added comedic payoff. Has ended all h

Wes Anderson Trivia -

Some of the character names in his movies -- most notable in Rushmore (1998) -- were actually the names of his St. John's classmates. Graduate of The University of Texas at Austin. Martin Scorsese is a big fan of his movies While shooting 'The Life Aquatic with Steve Zissou' (2004), the once pasty, bookish Anderson got a tan, grew his hair long, and got into better shape. His frequently star, 'Angelica Huston' , noted that Wes had "suddenly" become "handsome". Wrote Bottle Rocket, Rushmore and The Royal Tenenbaums with Owen Wilson, whose brother, Luke Wilson, appears in all three movies. Wes Anderson attended St. John's School in Houston, TX.

Wes Anderson Detailed Biography -

Wesley Wales Anderson (born May 1, 1969, in Houston, Texas) is an American writer, producer, and director of films and commercials. He attended St. John's School, a private school in Houston, which was later used as a filming location for Rushmore. Anderson then studied philosophy at the University of Texas, where he met future collaborator Owen Wilson. A drawing of Wes Anderson. Anderson cites his influences as including in particular French New Wave directors such as François Truffaut and Louis Malle, with whom his films share vivid characterization and a tragicomic sensibility: Anderson's works are considered comedies, though many critics find that they appeal to a particular, acquired sense of humor. Common among all of Anderson's films is the absence of major villains: his characters may be misguided and might cause others pain, but are always without malice. The lack of traditional antagonists prompts Anderson's characters to interact with each other in a more intimate fashion, locating their problems within themselves and their beloved friends or family rather than in enemies to be defeated. Anderson's more recent films, notably The Royal Tenenbaums (2001) and The Life Aquatic with Steve Zissou (2004), have a pageant-like feel. The camera remains stationary in many instances in order to bring greater focus upon the settings, which are often vibrantly-colored and detailed. Anderson increasingly incorporates elements of theater into his films, such as the plays and scene cues in Rushmore and The Royal Tenenbaums or the elaborate sets of The Life Aquatic. Anderson's pictures are complemented by the work of composer (and Devo singer) Mark Mothersbaugh, who wrote instrumental tracks for Bottle Rocket (1996), Rushmore, The Royal Tenenbaums, and The Life Aquatic. Actor and musician Seu Jorge also contributed to the soundtrack for The Life Aquatic with live acoustic renditions of David Bowie songs in Portuguese. In part because Anderson's movies focus on interpersonal struggles and lack traditional antagonists, they tend to feature the themes of grace, forgiveness, and reconciliation. No one—not even a washout like Herman Blume or Steve Zissou (Bill Murray in Rushmore and The Life Aquatic) nor a deceitful schmuck like Royal Tenenbaum (Gene Hackman in The Royal Tenenbaums)—is beyond redemption. Anderson's characters are separated by a variety of barriers, but the barriers are gradually overcome as individuals recognize the flaws and true desires in themselves and others. Typically, an Anderson film ends with several different narrative threads being resolved, relationships being restored, and things both trivial and significant being brought back to their rightful places. Each Anderson film involves some characters in uniforms or jumpsuits, such as Ben Stiller's character Chas and his two sons in The Royal Tenenbaums. Each film ends in slow-motion. Anderson usually ends his films with all or most of his characters in a scene or shot. Each film features an underwater shot, and the number of characters underwater increases with each film. For example, in Bottle Rocket, Luke Wilson's character swims in a motel pool and is shown swimming alone through the water. In his second film, Rushmore, Bill Murray and an extra are shown in a swimming pool. In his third film, The Royal Tenenbaums, Gene Hackman and the two sons of Ben Stiller's character are shown underwater in a swimming pool. In his fourth film, The Life Aquatic, Bill Murray, Owen Wilson, and two Zissou crew members are shown underwater, investigating a rogue tracking signal. Anderson also has a fondness for the font "Futura" , which is used in virtually all of his films. Each Anderson film includes a sequence with the same drum solo music. In Bottle Rocket, the music is heard during a robbery. In Rushmore, the solo is heard while an aquarium is being built on a baseball field. In The Royal Tenenbaums, the solo is heard when Ben Stiller's character is chasing Owen Wilson during a wedding. In The Life Aquatic, the solo is heard while Team Zissou raids Captain Hennessey's research laboratory.