Quincy Jones - Biography

				Quincy Jones Biography   Name : Quincy Jones Profession : American music impresario, media mogul and social activist Birth Details : born March 14, 1933 Birth name : Quincy Delight Jones Jr. Nickname : Q Spouse : Peggy Lipton (14 September 1974 - 1990) (divorced) 2 children Ulla Anderson (1967 - 1974) (divorced) 2 children Jeri Caldwell (1957 - 1966) (divorc
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Quincy Jones Detailed Biography

Quincy Delightt Jones II (born March 14, 1933) is an American music impresario, media mogul and social activist. During his 50 years in the entertainment industry Jones has been a musician, songwriter, arranger, record producer, music director, band leader, film producer, television producer, and author. Jones' work has earned him more than 70 Grammy Award nominations, more than 25 Grammy Awards, and a Grammy Legends Award in 1991. He is best known as the producer of two of the top-selling records of all time: the album Thriller, by pop music artist Michael Jackson, and the charity song “We Are the World�. The maestro at work Paris, France. Born in Chicago, Illinois, Jones discovered music in grade school and took up the trumpet. When he was 10, his family moved to Bremerton, Washington, where Jones became friends with a blind boy who played piano named Ray Charles (who taught Jones braille). The two boys formed a combo and played local weddings and the jazz clubs in what is now known as the Pioneer Square district of Seattle. In 1951, at the age of 18, Jones won a scholarship to the Berklee College of Music in Boston. However, he abandoned his studies when he received an offer to tour as a trumpeter with legendary bandleader Lionel Hampton. While Jones on the road with Hampton, Jones displayed an unusual gift for arranging songs. Jones relocated to New York City, where he received a number of freelance commissions arranging songs for artists like Sarah Vaughan, Count Basie, Duke Ellington, Gene Krupa and his old friend Ray Charles. In 1956, Jones hits the road again as trumpeter and musical director of the Dizzy Gillespie Band on a tour of the Middle East and South America sponsored by the State Department, Upon his return to the United States, Jones got a contract from ABC Paramount Records and commenced his recording career as the leader of his own band. Jones moved to Paris, France in 1957. He studied music composition and theory with two legends Nadia Boulanger and Olivier Messiaen. He performed at the Paris Olympia. Jones became music director at Barclay Disques, the French distributor for Mercury Records. During the 1950s, Jones successfully toured throughout Europe with a number of jazz orchestras. He formed his own big band and organized a tour of North America and Europe. Though the tour was a critical success, poor budget planing made it an economic distaster and the fallout left Jones in a financial crisis. Irving Green, head of Mercury Records, got Jones back on his feet with a loan and a new job as the musical director of the company's New York division. In 1964 Jones was promoted to vice-president of the company, thus becoming the first African American to hold such a position. 1964 also saw Jones break down another social barrier: at the invitation of film director Sidney Lumet he began composing the first of the 33 major motion scores. The result was the legendary score for The Pawnbroker. With Hollywood beckoning, Jones resigned from Mercury Records and moved to Los Angeles to compose film scores full time. Some of his most celebrated works are: Walk, Don't Run, In Cold Blood, In The Heat of the Night, Bob and Carol and Ted and Alice, Cactus Flower and The Getaway. He also scored for television, including the shows Ironside, Sanford and Son and ..The Bill Cosby Show. In the 1960s, Jones shone as a cross-genre songwriter and record producer. His extraordinary ability to fuse sound from various musical strata created a spectacular trademark sound. For the next thirty years of his career he would change to direction of modern music with the songs he creates for some of the most important artists of the era, including Miles Davis, Frank Sinatra, The Brothers Johnson, Dinah Washington and, of course, Michael Jackson. However, Jones solo recording never failed to be sonic landmarks. They included Walking in Space, Gula Materi, Smackwater Jack and Ndeda, You've Got It Bad, Girl, Body Heat, Mellow Madness, I Heard That and The Dude. His work garnered endless accolades and award nominations from his peers. While working on the film The Wiz, Jones met Michael Jackson who asked him to produce his upcoming solo record. The result, Off The Wall sold a staggering 20 million copies and made Jones the most powerful record producer in industry. Jones' and Jackson's next collaboration Thriller sold 51 million copies . Jones also worked on Michael Jackson's third solo album Bad, which sold 30 million copies. After the Bad album, Jackson and Jones went their separate ways so that Jackson could produce his later solo works by himself. In a 2002 interview, when asked if Jackson would ever work with Jones again he replied, "the door is always open". After the 1984 Grammy Awards ceremony, Jones used his influence to draw every major American recording artist of the day into a studio to lay down the legendary track We Are The World to raise money for the victims of Ethiopia's famine. When people marvelled at his ability to make the collaboration work, Jones explained that he'd taped a simple sign on the entrance: "Check Your Ego At The Door". In 1993, Jones collaborated with David Saltzman to produce the concert extravaganza An American Reunion, a celebration of Bill Clinton's inauguration as president of the United States. Saltzman and Jones decided to join their considerable forces and form the company Quincy Jones/David Saltzman Entertainment (QDE) with Time/Warner Inc.. QDE is a diverse company which produces media technology, motion pictures, television programs, literary publications (Vibe and Spin magazines]]. Jones remains CEO of his record label Qwest Records as well as Qwest Broadcasting. In 2001, he published his autobiography Q: The Autobiography of Quincy Jones. Quincy Jones' social activism began in the 1960's with his support of Dr. Martin Luther King Jr. Jones is one of the founders of the Institute for Black American Music (IBAM) whose events aim to raise enough funds for the creation of a national library of African-American art and music. Jones is also one of the founders of the Black Arts Festival in his hometown Chicago. For many years he has worked closely with Bono of U2 on a number of philanthropic issues. He is the founder of the Quincy Jones Listen Up Foundation, a charity which connects youths with technology, education, culture and music. One of the organizations programs is an intercultural exchange between underprivileged youths from Los Angeles and South Africa. Jones supports a number of other charities including the NAACP, GLAAD, Peace Games and AmFAR.