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Massimo Troisi
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 Massimo Troisi Biography -
 
Name :Massimo Troisi
Profession : Actor
Born : February 19, 1953(1953-02-19) San Giorgio a Cremano, Naples, Campania, Italy
Died : June 4, 1994 (aged 41) Ostia, Rome, Italy
Years active : 1977 - 1994
Biography
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Massimo Troisi (February 19, 1953 - June 4, 1994) was an Italian Academy Award-nominated actor, film director and poet. He is best known for the 1994 film Il Postino.

Troisi was born into a large family in San Giorgio a Cremano, a town near Naples. His father was a train engineer. Some of his family experiences were later told in his first movies. After high school, Troisi wrote some poems inspired by his favourite author, Pier Paolo Pasolini, and, in 1969, started to play in a small local theatre together with some childhood friends (including Lello Arena and Enzo De Caro). The early death of his mother condemned Troisi to a harsh period of activity, which is said to have had a role in the development of his heart problems. (In 1976 he had to visit the United States for a heart valve operation, the expenses for which were paid with the help of his friends.)

Troisi started his artistic career as a cabaret showman in 1972, as a member of the comic trio called "I Saraceni" ("The Saracens") and, later, "La Smorfia" (from the name of the "book of the numbers" traditionally used in Naples for Lotto and tombola, but also meaning "the face", as in "to make a face"). His mates were De Caro and Arena. They gained national fame on the radio and increased it consistently from 1977 onwards eventually becoming TV stars with the shows Non Stop, La sberla (1978) and Luna Park (1979). Troisi soon gained the status of leader of the trio. He was noted for his use of facial mimicry and of apparently confused speech—in these he drew inspiration from such famous figures of Neapolitan comedy as Totò, Eduardo and Peppino De Filippo.

Troisi wrote, directed and played his first film, Ricomincio da tre ("I Start Over from Three") in 1981. He achieved wide success and critical praise, imposing himself as one of the most talented new Italian directors of 1980s. Like the second movie, Ricomincio da tre is centered on the troublesome love life of a Neapolitan character, partly inspired by Troisi's youth, as well as featuring Lello Arena. Scusate il ritardo, similar to the preceding one, was released in 1983.

Troisi starred opposite Roberto Benigni in Non ci resta che piangere (1985), in which they play two friends who are accidentally transported back in time to the 15th century; there they meet Leonardo da Vinci and, upon realising which age they are in, travel to Spain to try to stop Christopher Columbus from discovering the Americas.

After some small acting roles, in 1987 Troisi directed Le vie del Signore sono finite, set during the Fascist era. The movie won a Silver Ribbon for best screenplay. In the following years, he starred alongside Marcello Mastroianni, in Ettore Scola's Splendor (1988), Che ora è? (1989) and Il viaggio di Capitan Fracassa (1990). His last movie as director (also as screenwriter and actor) was Pensavo fosse amore, invece era un calesse (1991), again centering on the every day difficulties of love between a man and a woman (portrayed by Francesca Neri).

Troisi came to international fame through the success of Il Postino, directed by Michael Radford. Troisi, who was only 41 years old, died in 1994 of a massive heart attack in his sister's house in Ostia (Rome) just twelve hours after the main filming on Il Postino had finished. It was reported that he postponed surgery to complete the film.

He was posthumously nominated for an Academy Award for Best Actor for his role, becoming only the sixth person (after Jeanne Eagels, James Dean, Spencer Tracy, Peter Finch and Sir Ralph Richardson) to be posthumously nominated for an acting Academy Award.

A good personal friend of the musician and singer Pino Daniele (who wrote most of the soundtracks for his movies), he wrote lyrics for his music or adapted his poetry for it. Eduardo De Filippo, father of Neapolitan theatre of the 20th century, said of him that he was a comic actor of the future, but with his roots in the past.

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