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Graham Greene - Biography
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Last Editor: blprp
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Graham Greene Biography -
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| Name : | Graham Greene |
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Profession :
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Writer
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Birth Details :
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born 1933
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Death Details :
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died 1991
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Graham Greene Trivia -
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Verse
Babbling April 1925
Novels
The Man Within 1929
The Name of Action 1930
Rumour at Nightfall 1932
Stamboul Train 1932
It's a Battlefield 1934
England Made Me 1935
A Gun for Sale 1936
Brighton Rock 1938
The Confidential Agent 1939
The Power and the Glory 1940 (also published as The Labyrinthine Ways)
The Ministry of Fear 1943
The Heart of the Matter 1948
The Third Man 1950 novella as a "trial run" for the screenplay of a film directed by Carol Reed
The End of the Affair 1951
The Quiet American 1955
Loser Takes All 1955
Our Man in Havana 1958
A Burnt-Out Case 1960
The Comedians 1965
Travels with My Aunt 1969
The Honorary Consul 1973
The Human Factor 1978
Doctor Fischer of Geneva or The Bomb Party 1980
Monsignor Quixote 1982
The Tenth Man 1985
The Captain and the Enemy 1988
Autobiography
A Sort of Life 1971 (autobiography)
Ways of Escape 1980 (autobiography)
A World of My Own 1992 (dream diary, posthumously published)
Getting to Know the General 1984 (A Story of An Involvement)
Travel books
Journey Without Maps 1936
The Lawless Roads 1939
In Search of a Character: Two African Journals 1961
Plays
The Living Room 1953
The Potting Shed 1957
The Complaisant Lover 1959
Carving a Statue 1964
The Return of A.J.Raffles 1975
The Great Jowett 1981
Yes and No 1983
For Whom the Bell Chimes 1983
Screen-Plays
The Third Man 1949
Short stories (selected)
This list is incomplete; you can help by expanding it.
"The Basement Room" 1935 (aka "The Fallen Idol", later turned into a film directed by Carol Reed)
"Across The Bridge" 1938
"Alas, Poor Maling" 1940
The Lieutenant Died Last
"The Destructors" 1954
"A Sense Of Reality" 1963
"The Invisible Japanese Gentlemen" 1965
"The Last Word" 1988
"I Spy"
"Twenty-One Stories
"May We Borrow Your Husband?
Other
Introduction to My Silent War, by Kim Philby, 1968, British Intelligence traitor, mole for Soviets
J'Accuse - The Dark Side of Nice, 1982
Kelly, Richard Michael, Graham Greene, Ungar, 1984
Kelly, Richard Michael, Graham Greene: A Study of the Short Fiction. Twayne, 1992.
Duran, Leopoldo , Graham Greene: Friend and Brother, translated by Euan Cameron, HarperCollins
Shelden, Michael , Graham Greene: The Enemy Within, (pub. William Heinemann, 1994), Random House ed. 1995: ISBN 0679428836
Sherry, Norman (1989-2004), The Life of Graham Greene: vol. 1 1904-1939, (pub. Random House UK, 1989, ISBN 0224026542), Viking ed. 1989: ISBN 0670813761, Penguin reprint 2004: ISBN 0142004200
Sherry, Norman, The Life of Graham Greene: vol. 2 1939-1955, (pub. Viking 1994: ISBN 0670860565), Penguin reprint 2004: ISBN 0142004219
Sherry, Norman, The Life of Graham Greene: vol. 3 1955-1991, (pub. Viking 2004, ISBN 0670031429)
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Graham Greene Detailed Biography -
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Graham Greene was born in Berkhamsted, Hertfordshire, the fourth of six children. His younger brother Hugh was later to become the Director-General of the BBC, and older brother Raymond was an eminent doctor and mountaineer. Their parents, Charles Henry Greene and Marion nee Raymond, were first cousins and members of a large and influential family which included the owners of the Greene King brewery, and various bankers and businessmen. Charles Greene was "second master" at Berkhamsted School, where the headmaster was Dr Thomas Fry (who was married to another cousin of Charles).
In 1910, Charles Greene succeeded Dr Fry as headmaster of the school, and Graham attended the school as a pupil. Bullied and profoundly unhappy as a boarder, Greene made several attempts at suicide (some of them purportedly by playing Russian roulette - though Michael Shelden's biography of Greene persuasively discredits the truth of these incidents), and in 1921 at the age of seventeen he underwent six months of psychoanalysis in London to deal with depression. After this he returned to the school as a day boy, living with his family. Schoolfriends included Claud Cockburn and Peter Quennell.
He went to Balliol College, Oxford, and his first work (a volume of poetry) was published in 1925, while he was an undergraduate, but it was not widely praised.
After graduation, Greene took up a career in journalism, firstly in Nottingham (a city which recurs in his novels as an epitome of mean provincial life), and then as a subeditor on The Times. While in Nottingham he started a correspondence with Vivien Dayrell-Browning, a Roman Catholic who had written to correct him on a point of Catholic doctrine. Greene converted to the faith in 1926, and the couple were married the following year. They had two children, Lucy (born 1933) and Francis (born 1936). In 1948 Greene left Vivien for Catherine Walston, but they remained married.
Greene's first published novel was The Man Within in 1929, and its reception emboldened him to give up his job at The Times and work full-time as a novelist. However, the following two books were not successful (Greene disowned them in later life), and his first real success was Stamboul Train in 1932 as with several of his subsequent books, this was also adapted as a film (Orient Express, 1934). His income from novels was supplemented by freelance journalism, including book and film reviews for The Spectator, and co-editing the magazine Night and Day, which closed down in 1937 shortly after Greene's review of the film Wee Willie Winkie, starring a nine-year-old Shirley Temple, caused the magazine to lose a libel case. Greene's review claimed that Temple displayed "a certain adroit coquetry which appealed to middle-aged men", and is now seen as one of the first criticisms of the sexualisation of young children by the entertainment industry.
His fiction was originally divided into two genres: thrillers or mystery/suspense books, such as Brighton Rock, that he himself cast as "entertainments" but which often included a notable philosophical edge, and literary works such as The Power and the Glory, on which his reputation was thought to be based.
As his career lengthened, however, Greene and his readers both found the "entertainments" to be of nearly as high a value as the literary efforts, and Greene's later efforts such as The Human Factor, The Comedians, Our Man in Havana and The Quiet American combine these modes into works of remarkable insight and compression.
Greene's novels are written in a contemporary, realistic style, often featuring characters troubled by self-doubt and living in seedy or rootless circumstances. The doubts were often of a religious nature, echoing the author's ambiguous attitude to Catholicism (by the end of his life he seems to have lost his faith, but still considered himself a Catholic).
Unlike other "Catholic writers" such as Evelyn Waugh and Anthony Burgess, Greene's politics were essentially left-leaning, though some biographers believe politics mattered little to him. In his later years he was a strong critic of what he saw as American imperialism, and he supported the Cuban leader Fidel Castro, whom he had met.
Throughout his life, Greene was obsessed with travelling far from his native England, to what he called the "wild and remote" places of the world. His travels provided him with opportunities to engage in espionage on behalf of the United Kingdom (in Sierra Leone during the Second World War, for example). Greene had been recruited to MI6 by the notorious double agent Kim Philby. He reworked the colorful and exciting characters and places he encountered into the fabric of his novels. A 1938 trip to Mexico to see the effects of a campaign of forced anti-Catholic secularisation was funded by the Roman Catholic Church. This resulted in the factual The Lawless Roads (published in America as Another Mexico), and the fictional The Power and the Glory, often considered to be Greene's finest novel. Ironically, the novel was condemned by the Vatican in 1953.
"There is so much weariness and disappointment in travel that people have to open up in railway trains, over a fire, on the decks of steamers, and in the palm courts of hotels on a rainy day. They have to pass the time somehow, and they can pass it only with themselves. Like the characters in Chekhov they have no reserves you learn the most intimate secrets. You get an impression of a world peopled by eccentrics, of odd professions, almost incredible stupidities, and, to balance them, amazing endurances."
Graham Greene, The Lawless Roads (1939)
Many of his books have been filmed, most notably 1947's Brighton Rock, and he also wrote several original screenplays, most famously for the film The Third Man.
Greene greatly enjoyed parody. In 1949, when the New Statesman publication held a contest for parodies of Greene's distinctive writing style, he submitted an entry under a pseudonym and won second prize. The resulting work, The Stranger's Hand, was later finished by another writer and brought to the screen by Italian film director, Mario Soldati. In 1965, Greene entered a similar New Statesman parody contest, again under a pseudonym, and won an honorable mention.
Greene moved to Antibes in 1966, to be close to Yvonne Cloetta, whom he had known for several years, and this relationship endured until his death. In the last years of his life, Greene lived in the small resort city of Vevey, on Lake Geneva in Switzerland. In 1981 he was awarded the Jerusalem Prize, given to writers concerned with 'the freedom of the individual in society'. One of his final works, J'Accuse - The Dark Side of Nice, (1982), concerns a legal matter that he and his family were embroiled in while he lived in Nice. This led to a libel case in France, which he lost . On his death in 1991 at the age of 86, he was interred in the nearby cemetery in Corsier-sur-Vevey.
October 2004 saw the publication of the third and final volume of The Life of Graham Greene by Norman Sherry, Greene's official biographer. The writing of this biography created a story in itself in that Sherry followed in Greene's footsteps, even coming down with diseases that Greene had come down with in the same place. Sherry's work reveals that Greene continued to submit reports to British intelligence until the end of his life. This has led scholars and Greene's reading public to entertain the provocative question, "Was Greene a novelist who was also a spy, or was his lifelong literary career the perfect cover?"
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